You can think of this as our blog. What's new? What's not? What we're talking about in the labs. And hey, while you're here why not to scroll down this page to see some of the projects our conservators have completed. And, if you're really interested, at the bottom of the page you'll find some ICA History.
Glass and ceramics, metal objects and furniture, jewelry, and sculptures, everything that cannot obviously be primarily identified as a painting, textile, or work on paper falls under the objects category.
Although paintings on wood panels and canvas spring immediately to mind, paint can be applied to a wide variety of supports walls, paper, pressed board, cardboard, copper, ivory, glass, plaster, and stone. Pigments--the element that give paints their color--can be suspended in a variety of media including oil, acrylics, wax, egg tempera, glue (distemper), milk (casein), and plant gum (goache).
Textiles is an all-embracing term that describes a wide variety of materials and techniques. Textiles may be constructed from natural fibers such as cotton, silk, flax, and wool to regenerated or manufactured fibers such as rayon, nylon, and polyester. They can also be part of complex composite objects that incorporate other materials like paper, leather, glass, metals, paint, stone, horn, bone, shell and feathers.
Works on paper includes photographs, documents, prints (e.g. etchings, lithographs, etc.) and books. Media might include works done in watercolors, inks, pencil and charcoal, and mixed media.
The Intermuseum Conservation Association (ICA) was the first, full-service, non-profit art conservation center in the United States. The directors of five major Midwestern museums met in Buffalo, NY in late 1951 and the center was up and running on the campus of Oberlin College in Oberlin, Ohio by the summer of 1952.